- 1.Good Design is innovative
It does not copy existing product forms, nor does it produce any kind of novelty for the sake of it. The essence of innovation must be clearly seen in all functions of a product. The possibilities in this respect are by no means exhausted. Technological development keeps offering new chances for innovative solutions.
- 2.Good Design makes a product useful
A product is bought in order to be used. It must serve a defined purpose – in both primary and additional functions. The most important task of design is to optimise the utility of a product.
2·好的设计创造好用的产品 很明显,我们购买产品的终极目的是为了使用——满足基本功能和附加功能(如审美)。设计中最重要的任务是优化产品的效用。
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- 3.Good Design is aesthetic
The aesthetic quality of a product – and the fascination it inspires – is an integral part of the its utility. Without doubt, it is uncomfortable and tiring to have to put up with products that are confusing, that get on your nerves, that you are unable to relate to. However, it has always been a hard task to argue about aesthetic quality, for two reasons.
Firstly, it is difficult to talk about anything visual, since words have a different meaning for different people.
Secondly, aesthetic quality deals with details, subtle shades, harmony and the equilibrium of a whole variety of visual elements. A good eye is required, schooled by years and years of experience, in order to be able to draw the right conclusion.
3·好的设计是符合审美的 一种产品的审美素质 - 即拥有独特魅力的激发点 - 是其机能性不可分割的组成部分。毫无疑问,人们对不舒适的使用体验、复杂而难以忍受的功能、莫名其妙的产品肯定会神经敏感产生抵触。更无法将他们联系在一起。可是即便如此,“审美”却始终是一个艰巨的任务,单独割裂地谈讲所谓“审美”更容易陷入了无休的争论。这中间有两个原因:
首先,视觉感受无法一概而论,因为对于每个人它有不同的解读。
其次,美感包含复杂的互动细节,如:微妙的色彩、整体的和谐、视觉元素的各种平衡。得到一个“对”的标准,需要一个好眼光,这可以由多年经验积累,亦可通过专业教育培训而来。
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- 4.Good Design helps a product be understood
It clarifies the structure of the product. Better still, it can make the product talk. At best, it is self-explanatory and saves you the long, tedious perusal of the operating manual.
4. 好的设计帮助用户理解产品
它阐明了产品结构。更好的是,它可以使产品自己说话。最好的情况下,它是不言自明的功能暗示,为您节省了漫长而又繁琐的说明书阅读时间。
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- 5.Good Design is unobtrusive
Products that satisfy this criterion are tools. They are neither decorative objects nor works of art. Their design should therefore be both neutral and restrained leaving room for the user’s self-expression.
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